Hiddenfromview
23/10/2020 - 18/11/2020
The etymological origin for the Chinese word “fo2 bun6” (伙伴), or “partner”, traces back to the ancient military system. While “fo2” ( 火 ) refers to a unit of ten militants, it also doubles to mean “fire”. Indeed, the military was organised by the fire – the leader of a unit, “fo2 zoeng2” ( 火長 , literally meaning “ chief of the fire”), was in charge of cooking all meals which the team would share together. Therefore, those within one “fo2” were called “fo2 bun6” ( 火伴 ), or “partners of fire". This word was later adapted to generally mean "partners" ( 同伴 ) and was developed to be written as "伙伴” (fo2 bun6). Now, it refers to people who collaborate as part of the same organisation or activity, sharing the same practices and experiences.
Starting from 15th August 2019, Tsung Tsin Christian Academy and 1a space have joined to launch a one-year programme "Arts-in-School Partnership Scheme" initiated by the Hong Kong Arts Development Council. 1a space commissioned two artists, Kevin Ling and Debe Sham, to collaborate and explore how art knowledge can intervene secondary school students and the community through different workshops. “Hiddenfromview” – Arts-in-School Partnership Scheme Exhibition will anchor on the concept of outlining and recording space, and will allow glimpses into the interaction and transformation which the participating artists and students have undergone in the past year.
Hiddenfromview
Exhibition period: 23thOctober - 18th November 2020
Time: Tuesdays to Sundays 11 am – 7 pm (closed on Mondays)
Venue: 122 To Kwa Wan Road, Kowloon, Hong Kong
About the Participating Artists
Debe Sham
Debe Sham (born in Hong Kong) is a sculptor, researcher and educator. She received her B.A. and M.V.A. at The Academy of Visual Arts, Hong Kong Baptist University. She has been studied at M. A. Program in Philosophy of the Chinese University of Hong Kong. She is currently a Doctor of Philosophy (PhD) degrees student. Sham has joined The AVA, HKBU and The Fine Art Department, CUHK as a part-time lecturer since 2016 and 2018 respectively. Before joining the Curatorial Panel of 1a space, she was a visiting artist and research fellow at Lingnan University and Yale University. Her research interest covers a wide range of topics such as interactivity as a means of generating dialogue between art and its audience; the ambiguity of interpersonal communication in different social situations; and the history and culture of toys, games and playgrounds. Sham's site-specific sculptures and installations have grown out of the artistic exploration of the role of public art.
Ling Chung-wan Kevin
Ling Chung-wan Kevin (b. Hong Kong 1994) graduated from the Academy of Visual Arts, Hong Kong Baptist University in 2017, he was awarded the Tuna Prize at the AVA BA Graduation Exhibition 2017, shortlisted Hong Kong Human Right Prize 2018. Through community-based research and material exploration to create the simplest resonance. Alternate perspective towards urban elements can be found in Ling's work. His works concern about the relationship and connection in the community and a sense of curiosity.
Participating Students
Wong Yuk Yin
Chan Yuen San
On Ka Yam
Mo Pak Yin
Sze Yi Hin Crosley
Mok Siu Ling Yuki
Wong Tsz Lam
Chan Lok Yan
Loong Hin Cheuk
Hiddenfromview
23/10/2020 - 18/11/2020
The etymological origin for the Chinese word “fo2 bun6” (伙伴), or “partner”, traces back to the ancient military system. While “fo2” ( 火 ) refers to a unit of ten militants, it also doubles to mean “fire”. Indeed, the military was organised by the fire – the leader of a unit, “fo2 zoeng2” ( 火長 , literally meaning “ chief of the fire”), was in charge of cooking all meals which the team would share together. Therefore, those within one “fo2” were called “fo2 bun6” ( 火伴 ), or “partners of fire". This word was later adapted to generally mean "partners" ( 同伴 ) and was developed to be written as "伙伴” (fo2 bun6). Now, it refers to people who collaborate as part of the same organisation or activity, sharing the same practices and experiences.
Starting from 15th August 2019, Tsung Tsin Christian Academy and 1a space have joined to launch a one-year programme "Arts-in-School Partnership Scheme" initiated by the Hong Kong Arts Development Council. 1a space commissioned two artists, Kevin Ling and Debe Sham, to collaborate and explore how art knowledge can intervene secondary school students and the community through different workshops. “Hiddenfromview” – Arts-in-School Partnership Scheme Exhibition will anchor on the concept of outlining and recording space, and will allow glimpses into the interaction and transformation which the participating artists and students have undergone in the past year.
Hiddenfromview
Exhibition period: 23thOctober - 18th November 2020
Time: Tuesdays to Sundays 11 am – 7 pm (closed on Mondays)
Venue: 122 To Kwa Wan Road, Kowloon, Hong Kong
About the Participating Artists
Debe Sham
Debe Sham (born in Hong Kong) is a sculptor, researcher and educator. She received her B.A. and M.V.A. at The Academy of Visual Arts, Hong Kong Baptist University. She has been studied at M. A. Program in Philosophy of the Chinese University of Hong Kong. She is currently a Doctor of Philosophy (PhD) degrees student. Sham has joined The AVA, HKBU and The Fine Art Department, CUHK as a part-time lecturer since 2016 and 2018 respectively. Before joining the Curatorial Panel of 1a space, she was a visiting artist and research fellow at Lingnan University and Yale University. Her research interest covers a wide range of topics such as interactivity as a means of generating dialogue between art and its audience; the ambiguity of interpersonal communication in different social situations; and the history and culture of toys, games and playgrounds. Sham's site-specific sculptures and installations have grown out of the artistic exploration of the role of public art.
Ling Chung-wan Kevin
Ling Chung-wan Kevin (b. Hong Kong 1994) graduated from the Academy of Visual Arts, Hong Kong Baptist University in 2017, he was awarded the Tuna Prize at the AVA BA Graduation Exhibition 2017, shortlisted Hong Kong Human Right Prize 2018. Through community-based research and material exploration to create the simplest resonance. Alternate perspective towards urban elements can be found in Ling's work. His works concern about the relationship and connection in the community and a sense of curiosity.
Participating Students
Wong Yuk Yin
Chan Yuen San
On Ka Yam
Mo Pak Yin
Sze Yi Hin Crosley
Mok Siu Ling Yuki
Wong Tsz Lam
Chan Lok Yan
Loong Hin Cheuk
正 | 在 | 空間
23/10/2020 -18/11/2020
古代兵制十人為一火，火長一人管炊事，共灶飲食，故稱同火者為「火伴」，引申為「同伴」之意，後多寫作「伙伴」。現在泛指共同參加某種組織、活動的人，一起合作，一起實踐，一起經歷。
於二零一九年八月十五日起，基督教崇真中學與1a空間開展由香港藝術發展局主辦，為期一年多的《學校與藝團伙伴計劃》。1a空間邀請兩位藝術工作者 - 凌中雲和岑愷怡合作，透過不同的研習工作坊，探討藝術知識如何介入中學生，以至社區眾群。《正 | 在 | 空間》- 學校與藝團伙伴計劃展覽 ，以勾勒和記錄空間為軸，分享藝術工作者和中學生們，過去一同的互動和轉變。
正 | 在 | 空間
展覽：2020年10月23日 - 11月18日
展覽開放時間：逢星期二至日上午 11 時至下午 7 時正 (逢星期一休館)
地點：香港九龍土瓜灣道 122 號地下
藝術家簡歷
岑愷怡
岑愷怡先後於香港浸會大學，取得視覺藝術學士學位及碩士學位，曾於香港中文大學哲學系兼讀文學碩士，現於香港讀博士課程。2015年任嶺南大學視覺研究系駐校藝術家。2016年香港浸會大學視覺藝術院兼任講師。2017年獲美國耶魯大學和香港駐紐約經貿辦事處頒發雅禮藝術獎助金。2018年加入香港中文大學藝術系兼任講師。2019年加入1a 空間策展小組。岑氏以不同媒介創作，其中以雕塑、玻璃、裝置和公共藝術為主。她近年的創作以探討「觀者與作品之間的互動關係」、「玩具、遊戲與遊樂場的歷史和文化」及「人與人之間如何達致溝通和連結」為重心。
凌中雲
凌中雲1994年生於香港，在2017年於香港浸會大學視覺藝術文學士畢業，並獲得香港浸會大學視覺藝術院舊生會頒予吞拿魚獎，2018年入圍香港人權藝術獎。透過社區研究及物質上的探索創造最簡單的共鳴。凌的作品涉及社區關係、不同物質的聯繫和好奇感，觀眾從中可以發現他對城市元素的另類觀點。現為香港兆基創意書院設計與科技科教師。
參展學生
王鈺然
陳炫燊
安家蔭
巫柏延
施易騫
莫小玲
黃祉霖
陳樂仁
龍顯卓
14 June – 30 June 2019
rest things-a solo exhibition by Tom O’Dea
14 June – 30 June 2019
rest things-a solo exhibition by Tom O’Dea
rest things-a solo exhibition by Tom O’Dea
rest things-a solo exhibition by Tom O’Dea
rest things-a solo exhibition by Tom O’Dea
香港視覺藝術評論人培育計劃 2017
一 個 為 尋 找 視 覺 藝 術 評 論 人 而 設 的 培 育 計 劃
以獨立藝術機構為本，透過參與策展人及藝術家的專業導賞、專業藝評人講座及寫作評閱，鼓勵本地視覺藝術評論發展。本計劃與立場新聞合作，在網上平台發表藝評，營造本地視覺藝術評論生態，培育新一代藝術評論人。
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計劃將招募30位新鮮藝術評論人，不需任何藝術教育背景或經驗，任何年齡與背景的視覺藝術愛好者一概適合
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成功報名者將安排參與4個由專業視覺藝術工作者／資深藝評人主講的分享會，並於四個月內觀賞四個本地視覺藝術展覽，撰寫四篇400-1000字評論文章
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專業視覺藝術工作者／資深藝評人將評閱參加者的文章並且提供評語，優秀作品將會於立場新聞網上平台刊登
歡迎16歲或以上，對視覺藝術評論寫作及視覺藝術愛好者參加。
費用：港幣$200 （包括四堂講座）; 港幣$80一堂
媒體夥伴：立場新聞
**優秀作品將陸續刊登於立場新聞網上平台：
Initiated by an independent, non-profit making contemporary visual art organization, 1a space’s Hong Kong Visual Art Critic Nurturing Programme aims to encourage the development of local visual arts writing through a series of guided tours, talks and writing reviews led by professional art practitioners and art critics. In collaboration with Stand News, distinguished participants’ art review essays will be published on Stand News online platform. The programme aims to nurture a cultured audience and to foster a new generation of art critics.
The programme recruited 30 young art commentators. No art education background or experience is required. Visual arts enthusiasts of all ages and background are also welcome.
Successful applicants are arranged to participate in 4 sharing sessions led by professional art practitioners. Within these four months, participants have visited four local visual art exhibitions, and are required to write four 400-1000 words after their visit.
The articles written by participants have been reviewed and commented by professional art practitioners. Some of the outstanding pieces were published on Stand News online platform.
** Outstanding works will be published in the stand-up news online platform:
**The below content is in Chinese only.
評論文章
2017年7月至10月
七月（7月22日下午3時－5時）：張煒森
主題：由好奇／評論 到 評論／好奇
消費與文化的角力戰：談《第六屆藝遊鄰里計劃：九承九》
撰文：小青
喘息空間：香港當代藝術展
撰文：許軒琳
嚴瑞芳的回歸三步曲
撰文：曾慧明
設計被城市定義，還是重新定義城市——從理大設計年展2017看我城的美學
撰文：萬庭暖
評祈大衛 (David Clarke)《1997年6月31日》計劃
撰文：謝傲俊
談「何藩:鏡頭細訴香港光影」
撰文：Matsumoto Mitzi
天花亂聚，聚什麼？
撰文：陳誠勇
「第六屆藝遊鄰里計劃：遊園誌」
撰文：張靜頤
藝術作品與工藝 —— 談《九乘九》展覽
撰文：Kaho
M+ ─ 那來自03年的廣東快車
撰文：Grace Tsang
八月（8月19日下午3時－5時）：何建宗
主題：藝評憑什麼？評什麼？
身在空間中的喘息
撰文：Grace Tsang
SONIC TAPESTRY (Sound X Multimedia Art X Technology)觀後感