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Updated version of "Pseudo Collection - What do artist collect dialogues" is now available
The most updated online version of "Pseudo Collection - What Do Artists Collect Dialogues" is now available on: https://drive.google.com/open?id=0B6Sw9OMw7TvEa0Y5RWpleFdldmM


"One belongs where one is content" artist sharing session held successfully
The "One belongs where one is content" Artist Sharing Session was held successfully with a full house at 1a space last Sunday (10-4-2016). Curator Lawman Law, Guest Speaker Jaspar Lau, and artists Luke Ching and Ricky Yeung shared their wisdom and thoughts on the exhibition and have a fruitful discussion with the audience. For more photos, please refer to our 1a space facebook album: https://www.facebook.com/media/set/?set=a.938256976293786.1073741876.253007528152071&type=1&l


Kai Tak River Green Corridor Community Education Project- Book Launch
Date: 4th October,2013 (Friday) Time: 4:30pm - 5:30pm Venue: 1a space, Unit 14, Cattle Depot Artist Village, 63 Ma Tau Kok Road,To Kwa Wan, Kowloon, Hong Kong After the Kai Tak River Green Art Festival (2012.6.) and the tour exhibitions around the local community, Kai Tak River Green Corridor Community Education Project is going to publish its one set-with-two-volume publications, e•Co Habitat: Kai Tak River Green Corridor Community Education Project and e•Co Learning: Ka


《滴 溚滴》藝術家對談系列: 微語場場
[Chinese version only] 「微語場場」是一個鼓勵創作人深度交流的平台,對談者會藉此機會深入討論作品、媒介、創作背後的思考脈絡、對彼此作品的看法等話題。一共五場對談,分別在6月20日、6月27日及7月5日舉行。你會來發掘藝術品背後隱而未見的東西嗎? 參與創作人/藝術家:伍韶勁、張康生、周耀輝、蔡仞姿、劉清平、吳家俊、張景威、尹麗娟、林東鵬、俞若玫、黎子元、查映嵐 ----------------------------------------- 第一場: 主題:新媒體跟環境詩化對話的可能? 時間: 6月20日(周四)6:30pm-8pm 地點:九龍土瓜灣馬頭角道63號牛棚藝術村14號1a空間 對談藝術家:伍韶勁及張康生 主持: 張景威 回應:黎子元 ----------------------------------------- 第二場: 主題:藝術家再現的時間觀及文字在作品中的特殊意義 時間: 6月20日(周四) 8:15pm- 9:30pm 地點:九龍土瓜灣馬頭角道63號牛棚藝術村14號1a空間 對談藝術家:周耀輝及蔡


The merging of art and corporate initiatives: The Visual Art Field in Taiwan as a case study- a talk
Since the late 80s after martial law, Taiwan has focused on the development of its economy. Under the cultural policy, which encourages the art industry, collaboration with the private sector has become a trend. A proliferation of private foundations and museums has been founded to provide various platforms for the exchange and practice of art and discussion. These private initiatives function to fill the gap left by bureaucracy and scarce resources from the government, servi


