1a space 為 Art Basel Hong Kong 2026 文化合作夥伴，呈獻區凱琳與張海活雙人展《再沒有‎ ‎ ‎ ‎ ‎ ‎ 而且永遠不會再有》。1a space, Cultural Partner of Art Basel HK 2026, presents AU Hoi Lam & CHANG Hoi Wood: "Never will there be again" (Mar 25-29). 物質重量、文字痕跡、空間中的迴聲、步伐、曾經存在過的位置、光陰與影子⋯⋯消逝了的種種，如何記住好呢？The weight of matter, traces of words, echoes in space, footsteps, places that once existed, time and shadows… How can we best remember all that has vanished?

down to earth (exhale) is a solo exhibition of works by Montreal-based Hong Kong artist Chloë Cheuk. Her past sculptural and video works are contextualised in a Hong Kong that she is starting to get to know since relocating to Canada ten years ago.

《如果有個庭園，我會在哪裏?》，結合視覺與空間，造「園」予觀者遊走、停留、探索、欣賞。 “If there is a garden, where would I be?” is a visual and spatial art project that creates a...

《如果有個庭園，我會在哪裏?》，結合視覺與空間，造「園」予觀者遊走、停留、探索、欣賞。 “If there is a garden, where would I be?” is a visual and spatial art project that creates a...

一篇追溯音樂體現的自述 與一個以奇思妙想交織的遊樂場 A statement of tracing musical embodiment and a playground filled with amusing wonders 孫禮賢自小受古典音樂訓練，卻選擇了不同於傳統音樂體制的道路。他更為人熟知的身分是聲音和媒體藝術家、或是劇場製作中的聲音設計師。鄭雅茵擁有跨學科的背景，在學時期因熱衷於舞蹈表演，便與劇場結下不解之緣。 背景迂迴的二人在劇場相遇，自此碰撞出許多新鮮奇特的想法。透過接近十個月研究和探索，二人重新想像聲音、科技與身體的關係和連結，從中尋找這些年來創作中產生那些疑問的答案：觀與演之間的微妙關係；自身與藝術形式之間的連結；又或是在這個人類似乎隨時能被科技取代的時代，作為藝術家以及一個活人，我們還能從甚麼角度看身體。 Trained in classical music since a child, Larry Shuen has however chosen a different path to the traditional mu