Hiddenfromview
23/10/2020 - 18/11/2020
The etymological origin for the Chinese word “fo2 bun6” (伙伴), or “partner”, traces back to the ancient military system. While “fo2” ( 火 ) refers to a unit of ten militants, it also doubles to mean “fire”. Indeed, the military was organised by the fire – the leader of a unit, “fo2 zoeng2” ( 火長 , literally meaning “ chief of the fire”), was in charge of cooking all meals which the team would share together. Therefore, those within one “fo2” were called “fo2 bun6” ( 火伴 ), or “partners of fire". This word was later adapted to generally mean "partners" ( 同伴 ) and was developed to be written as "伙伴” (fo2 bun6). Now, it refers to people who collaborate as part of the same organisation or activity, sharing the same practices and experiences.
Starting from 15th August 2019, Tsung Tsin Christian Academy and 1a space have joined to launch a one-year programme "Arts-in-School Partnership Scheme" initiated by the Hong Kong Arts Development Council. 1a space commissioned two artists, Kevin Ling and Debe Sham, to collaborate and explore how art knowledge can intervene secondary school students and the community through different workshops. “Hiddenfromview” – Arts-in-School Partnership Scheme Exhibition will anchor on the concept of outlining and recording space, and will allow glimpses into the interaction and transformation which the participating artists and students have undergone in the past year.
Hiddenfromview
Exhibition period: 23thOctober - 18th November 2020
Time: Tuesdays to Sundays 11 am – 7 pm (closed on Mondays)
Venue: 122 To Kwa Wan Road, Kowloon, Hong Kong
About the Participating Artists
Debe Sham
Debe Sham (born in Hong Kong) is a sculptor, researcher and educator. She received her B.A. and M.V.A. at The Academy of Visual Arts, Hong Kong Baptist University. She has been studied at M. A. Program in Philosophy of the Chinese University of Hong Kong. She is currently a Doctor of Philosophy (PhD) degrees student. Sham has joined The AVA, HKBU and The Fine Art Department, CUHK as a part-time lecturer since 2016 and 2018 respectively. Before joining the Curatorial Panel of 1a space, she was a visiting artist and research fellow at Lingnan University and Yale University. Her research interest covers a wide range of topics such as interactivity as a means of generating dialogue between art and its audience; the ambiguity of interpersonal communication in different social situations; and the history and culture of toys, games and playgrounds. Sham's site-specific sculptures and installations have grown out of the artistic exploration of the role of public art.
Ling Chung-wan Kevin
Ling Chung-wan Kevin (b. Hong Kong 1994) graduated from the Academy of Visual Arts, Hong Kong Baptist University in 2017, he was awarded the Tuna Prize at the AVA BA Graduation Exhibition 2017, shortlisted Hong Kong Human Right Prize 2018. Through community-based research and material exploration to create the simplest resonance. Alternate perspective towards urban elements can be found in Ling's work. His works concern about the relationship and connection in the community and a sense of curiosity.
Participating Students
Wong Yuk Yin
Chan Yuen San
On Ka Yam
Mo Pak Yin
Sze Yi Hin Crosley
Mok Siu Ling Yuki
Wong Tsz Lam
Chan Lok Yan
Loong Hin Cheuk
Hiddenfromview
23/10/2020 - 18/11/2020
The etymological origin for the Chinese word “fo2 bun6” (伙伴), or “partner”, traces back to the ancient military system. While “fo2” ( 火 ) refers to a unit of ten militants, it also doubles to mean “fire”. Indeed, the military was organised by the fire – the leader of a unit, “fo2 zoeng2” ( 火長 , literally meaning “ chief of the fire”), was in charge of cooking all meals which the team would share together. Therefore, those within one “fo2” were called “fo2 bun6” ( 火伴 ), or “partners of fire". This word was later adapted to generally mean "partners" ( 同伴 ) and was developed to be written as "伙伴” (fo2 bun6). Now, it refers to people who collaborate as part of the same organisation or activity, sharing the same practices and experiences.
Starting from 15th August 2019, Tsung Tsin Christian Academy and 1a space have joined to launch a one-year programme "Arts-in-School Partnership Scheme" initiated by the Hong Kong Arts Development Council. 1a space commissioned two artists, Kevin Ling and Debe Sham, to collaborate and explore how art knowledge can intervene secondary school students and the community through different workshops. “Hiddenfromview” – Arts-in-School Partnership Scheme Exhibition will anchor on the concept of outlining and recording space, and will allow glimpses into the interaction and transformation which the participating artists and students have undergone in the past year.
Hiddenfromview
Exhibition period: 23thOctober - 18th November 2020
Time: Tuesdays to Sundays 11 am – 7 pm (closed on Mondays)
Venue: 122 To Kwa Wan Road, Kowloon, Hong Kong
About the Participating Artists
Debe Sham
Debe Sham (born in Hong Kong) is a sculptor, researcher and educator. She received her B.A. and M.V.A. at The Academy of Visual Arts, Hong Kong Baptist University. She has been studied at M. A. Program in Philosophy of the Chinese University of Hong Kong. She is currently a Doctor of Philosophy (PhD) degrees student. Sham has joined The AVA, HKBU and The Fine Art Department, CUHK as a part-time lecturer since 2016 and 2018 respectively. Before joining the Curatorial Panel of 1a space, she was a visiting artist and research fellow at Lingnan University and Yale University. Her research interest covers a wide range of topics such as interactivity as a means of generating dialogue between art and its audience; the ambiguity of interpersonal communication in different social situations; and the history and culture of toys, games and playgrounds. Sham's site-specific sculptures and installations have grown out of the artistic exploration of the role of public art.
Ling Chung-wan Kevin
Ling Chung-wan Kevin (b. Hong Kong 1994) graduated from the Academy of Visual Arts, Hong Kong Baptist University in 2017, he was awarded the Tuna Prize at the AVA BA Graduation Exhibition 2017, shortlisted Hong Kong Human Right Prize 2018. Through community-based research and material exploration to create the simplest resonance. Alternate perspective towards urban elements can be found in Ling's work. His works concern about the relationship and connection in the community and a sense of curiosity.
Participating Students
Wong Yuk Yin
Chan Yuen San
On Ka Yam
Mo Pak Yin
Sze Yi Hin Crosley
Mok Siu Ling Yuki
Wong Tsz Lam
Chan Lok Yan
Loong Hin Cheuk
正 | 在 | 空間
23/10/2020 -18/11/2020
古代兵制十人為一火，火長一人管炊事，共灶飲食，故稱同火者為「火伴」，引申為「同伴」之意，後多寫作「伙伴」。現在泛指共同參加某種組織、活動的人，一起合作，一起實踐，一起經歷。
於二零一九年八月十五日起，基督教崇真中學與1a空間開展由香港藝術發展局主辦，為期一年多的《學校與藝團伙伴計劃》。1a空間邀請兩位藝術工作者 - 凌中雲和岑愷怡合作，透過不同的研習工作坊，探討藝術知識如何介入中學生，以至社區眾群。《正 | 在 | 空間》- 學校與藝團伙伴計劃展覽 ，以勾勒和記錄空間為軸，分享藝術工作者和中學生們，過去一同的互動和轉變。
正 | 在 | 空間
展覽：2020年10月23日 - 11月18日
展覽開放時間：逢星期二至日上午 11 時至下午 7 時正 (逢星期一休館)
地點：香港九龍土瓜灣道 122 號地下
藝術家簡歷
岑愷怡
岑愷怡先後於香港浸會大學，取得視覺藝術學士學位及碩士學位，曾於香港中文大學哲學系兼讀文學碩士，現於香港讀博士課程。2015年任嶺南大學視覺研究系駐校藝術家。2016年香港浸會大學視覺藝術院兼任講師。2017年獲美國耶魯大學和香港駐紐約經貿辦事處頒發雅禮藝術獎助金。2018年加入香港中文大學藝術系兼任講師。2019年加入1a 空間策展小組。岑氏以不同媒介創作，其中以雕塑、玻璃、裝置和公共藝術為主。她近年的創作以探討「觀者與作品之間的互動關係」、「玩具、遊戲與遊樂場的歷史和文化」及「人與人之間如何達致溝通和連結」為重心。
凌中雲
凌中雲1994年生於香港，在2017年於香港浸會大學視覺藝術文學士畢業，並獲得香港浸會大學視覺藝術院舊生會頒予吞拿魚獎，2018年入圍香港人權藝術獎。透過社區研究及物質上的探索創造最簡單的共鳴。凌的作品涉及社區關係、不同物質的聯繫和好奇感，觀眾從中可以發現他對城市元素的另類觀點。現為香港兆基創意書院設計與科技科教師。
參展學生
王鈺然
陳炫燊
安家蔭
巫柏延
施易騫
莫小玲
黃祉霖
陳樂仁
龍顯卓
14 June – 30 June 2019
rest things-a solo exhibition by Tom O’Dea
14 June – 30 June 2019
rest things-a solo exhibition by Tom O’Dea
rest things-a solo exhibition by Tom O’Dea
rest things-a solo exhibition by Tom O’Dea
rest things-a solo exhibition by Tom O’Dea
2020
 解讀恩尼格瑪 |  曾經的歌聲 (2019)聲音及煙霧裝置 曾經的歌聲 (2019) 透過交錯並置物件、聲音和行動，於空間建構一場體驗的旅程。 請坐下，戴上耳機。 當你開始問「發生什麼事？」，「我如何出現在這裡？」，「為什麼會這樣？」之類的問題時， 請沉浸在其中。 這裡很安全。 讓聲音帶你到你需要去的地方。 也許是時候回望過去。 也許是時候感覺一下傷口。 也許是時候記住鳥兒們。 |
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 曾經的舞動 (2019)錄像裝置 曾經的舞動 (2019) 透過躍動的身體及鏡頭，轉化荒蕪的境地為不斷演化的感官經驗、以感覺主理的世界。 作品中的影像以旋轉的攝錄機拍攝，穿越室內到室外，探索攝影者、動作和空間之間的關係。流動影像被折射再投射，擴展成為沉浸式空間，打破日常城市景觀體驗，徘徊於具象與抽象之間。 |  曾經的舞動 (2019)聽說 這裡曾經有舞動 傾斜 擺盪 反身 旋轉 什麼時候? 曾經 |
 曾經的舞動 (2019)聽說 這裡曾經有舞動 傾斜 擺盪 反身 旋轉 什麼時候? 曾經 |  當你需要睡的時候你是很容易睡的。(2020)互動影像裝置 在這件包在一個紅白藍膠袋裡面的影像裝置裡，作品當中的文字取於Florence Lam在2016年所創作的行為藝術作品“我選擇睡覺” 於2019年一連三天的重演，表演最後一天完成後所寫的筆記。在這個作品紀錄者作者在探索有意識的行為與自然生理需要之間的模糊界線期間，所感覺到自己和自己的身體之間的關係的變化。 *觀眾可自行拉開紅白藍膠袋的拉鍊觀賞藏在裡面的影像聲音，看畢後請把拉鍊拉回本來的位置。 |
 當你需要睡的時候你是很容易睡的。(2020)互動影像裝置 在這件包在一個紅白藍膠袋裡面的影像裝置裡，作品當中的文字取於Florence Lam在2016年所創作的行為藝術作品“我選擇睡覺” 於2019年一連三天的重演，表演最後一天完成後所寫的筆記。在這個作品紀錄者作者在探索有意識的行為與自然生理需要之間的模糊界線期間，所感覺到自己和自己的身體之間的關係的變化。 *觀眾可自行拉開紅白藍膠袋的拉鍊觀賞藏在裡面的影像聲音，看畢後請把拉鍊拉回本來的位置。 |  雨滴 (2019)70厘米x800厘米 水粉及水墨紙本 2019 |
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 浪花 (2019)一組4幅，每幅50厘米x75厘米 發泡膠粒，水粉及水墨紙本 |  浪花 (2019)一組4幅，每幅50厘米x75厘米 發泡膠粒，水粉及水墨紙本 |
 微風 (2019)一組2幅，每幅100厘米x75厘米 鹽， 水粉及水墨紙本 2019 |  微風 (2019)一組2幅，每幅100厘米x75厘米 鹽， 水粉及水墨紙本 2019 |
 蒸發 (2019)70厘米x250厘米 水粉及水墨紙本 2019 |  雨滴 (2019)尺寸可變 發泡膠粒，雨傘膠袋 |
 你說你⾒見到海。他答他覺得是天空，當刻有幾艘UFO飛過。 (2019)數碼噴墨打印 28 cm x 36 cm |  觀天思海 (2019)混合媒介裝置 尺⼨寸不定 |
