【Of Transience, Encounters and Endless Enigma】
10 January 2020 – 9 February 2020, 1a space
1a space proudly presents Of Transience, Encounters and Endless Enigma, a contemporary art exhibition featuring four selected Hong Kong emerging artists from 1a space’s Emerging Tal-ents in Contemporary Art - Part 2: Young Artist Incubator Initiative (Hong Kong). It is an artist nurturing program while the selected artists joined regular meetings with professional art practitioners from 1a space’s board and curatorial panel for ideas and experiences exchange from September to December 2019. This exhibition sums up their learning experiences with 1a space.
Of Transience, Encounters and Endless Enigma is the world of city dwellers caught in between now and then, where they acquaint with strangeness and familiarity. In the immersive dream-like space, the audience linger in undefined psychic and emotional ruptures at the boundaries of the imagined, illusional and memories.
Intuon Chau and Ho Tze Chun Billy approach nature as a shared subject with their unique techniques and aesthetics. Chau's practice is a process of approaching materiality and spiritu-ality. She works with text, sound and installation, to reflect her emotions and thoughts to-wards the ocean. Ho relieves the annoyance from busy life with the weightlessness in the ma-terials, and his repetitive coloring process that turns paper into pieces of ocean with wave-like wrinkles.
Florence Lam and Elaine Wong shared a common interest in existential condition, yet reflect with different strategies. Through her opening performance and video installation, Lam works with wonder and magical thinking to fuse together current moral issues with child-like world views. Wong unwinds and entangles the manifolds of daily encounters and inner conditions. Her immersive audio-visual installations transduce the oscillations between body, material and space.
The exhibition includes paintings, sound, video installations and performances inside 1a space and the outdoor area, to create a dynamic territory that evolves in time that uncovers the obscure realities of the past, present and the future beneath the facade of urban exist-ence.
Of Transience, Encounters and Endless Enigma
Opening Reception: 10 January 2020, 6:30pm
Exhibition Period: 11 January 2020 – 9 February 2020
Time: Tuesday to Sunday 11 am – 7 pm (closed on Monday and Public Holiday)
Venue: 1a space
Unit 14, Cattle Depot Artist Village, 63 Ma Tau Kok Road, To Kwa Wan, Kowloon, Hong Kong
Artist Performance: “Étude”
Date: 10 January 2020
Starting location: Outside of Cattle Depot Artist Village main entrance
Ending location: Cattle Depot Artist Village outdoor space
Artists Guided Tour
Date: 12 January 2020
Artists Performance: “Line Drawing Practice”
Date: 19 January 2020
“Line Drawing Practice” is an improvisation representing the present expression by drawing and sound. On the white salt field, using the found object of palm leaf to draw with the con-sciousness in the present. Through the action to feel and understand the movement of body and the flow of inner emotions.
Date: 9 February 2020
About the Artist (in alphabetical order)
Having received a BFA in fine art from RMIT University, and studied fine art at Hong Kong Art School. Intuon’s art practice is experiencing perceptions on the sense of seeing and listening, with paintings and sound compositions. The practice is a process of approaching materiality and spirituality through considering the subject of identity, nature, emotion and material. She mostly uses painting, text, sound, and found-object into her works, by expressing specific con-tents and perspectives to reflect on emotions and thoughts. She began exploring the possibili-ties of listening since 2017. In 2018, Intuon was invited to participant in “Sound Forms 2018”, a festival of multichannel sound which was co-presented by the Hong Kong Arts Centre and Contemporary Musiking’s (CMHK). After she graduated, in September 2019, she collaborated with two performers producing an improvisation with contemporary dance, traditional Chi-nese instrument, Nanyin, and sound. In the same year, she was selected to participate in the “Young Artist Incubator Initiative” art programme organised by 1a space. And she was invited to join the exhibitions and programs related to art, visual, and sound.
Ho Tze Chun Billy
Ho Tze Chun Billy is an artist and an art teacher. He established his own studio "Seika Studio" in 2017 and he is one of the co-founder.
Ho earned his Bachelor's degree in 2016 through the Hong Kong Baptist University, majoring in Visual Art. He obtained an Education Diploma in Visual Arts through the Hong Kong Baptist University the same year.
The theme of his painting is mainly about fragments of everyday life, such as fragrance of lil-ies, grasses along the side of the road and moments gazing at the sea next to piers. Through observing these ordinary pieces, He try to discover the relationship between him and the meaning of their existence and by such, he hope he could raise the audience's reflection for things that are long been accustomed, and bring out the contrast of something "so close and yet so far".
Recently, he keeps looking for new materials for his creations. He has a special bonding with materials that are light and thin. In his opinion, he believes a light artwork is able to isolate himself from the pressure among society, and so he can stay away from the hustle and bustle. During soaking and drying light and thin materials mentioned above, he needs to pay all his attention to his creations, and by such he can gain a recess for his mind to calm himself down.
Florence Lam, born in 1992 in Vancouver, Canada and grew up in Hong Kong, is currently based between Hong Kong and Düsseldorf, Germany. Lam works with wonder and magical thinking to fuse together current moral issues with child-like world views through perfor-mance art, poetry, video and sound. She obtained her MA Fine Art from Iceland Academy of the Arts in 2017 and her BA Fine Art from Central Saint Martins in 2014.
Lam has performed around Europe and Asia, including Nanhai Gallery (Taipei, Taiwan 2019); Chiba Prefectural Museum of Art (Japan 2019), MACRO Testattio Mattatoio Art Museum (Rome, Italy 2018), Kling & Bang (Reykjavík, Iceland 2018), Manifesta 11 (Zürich, Switzerland 2016) etc. Art festivals include A! Performance Festival (Akureyri, Iceland 2019), YUP Festival (Osnabrück, Germany 2019), ZABIH Performance Festival (Lviv, Ukraine 2019), Reykjavík Arts Festival (Reykjavík, Iceland 2019), Performance Platform Lublin (Lublin, Poland 2017), Se-quences Art Festival (Reykjavík, Iceland 2017), Performance Art Bergen Open (Bergen, Norway, 2017) etc.
Wong lives and based in Hong Kong. She received her Master of Fine Art (Creative Media) from School of Creative Media, City University of Hong Kong in 2019 and holds a Bachelor of Arts (Fine Art) degree from Royal Melbourne Institute of Technology (RMIT) University. With a background in painting, she explores and unveils the manifolds of daily encounters and inner conditions. She regards her practice as an investigation of the potentials of art beyond repre-sentation, its relation to sensation, documentation and experience. Her interest in the expe-riential quality of works leads her to engage in experiments with videography, sound and in-stallations.
Her works have been shown in Hong Kong and international art spaces; including the Hong Kong Heritage Museum (2018), Hong Kong Education Museum (2018), Hong Kong Visual Arts Centre (2018), Oi! Street Art Space (2017), EXIS Korea (2017), and Poland Szczecin European Film Festival (2017). She was one of the selected artists for the Art- Uni-On (AUO) Artist Men-toring Program (2017) in Korea, and was awarded a scholarship from Hong Kong Art Centre to attend the Culture, Graphic Design and Fine Arts program in New York School of Visual Arts (2013).
Elaine is also the founder of Altermodernists, an independent art group that is devoted to the documentation of artists’ creative processes and promote visual arts in Hong Kong.
Man Wong, Pointsman Art Creation, Kendra Koh, Tim Löhde