23/10/2020 - 18/11/2020
The etymological origin for the Chinese word “fo2 bun6” (伙伴), or “partner”, traces back to the ancient military system. While “fo2” ( 火 ) refers to a unit of ten militants, it also doubles to mean “fire”. Indeed, the military was organised by the fire – the leader of a unit, “fo2 zoeng2” ( 火長 , literally meaning “ chief of the fire”), was in charge of cooking all meals which the team would share together. Therefore, those within one “fo2” were called “fo2 bun6” ( 火伴 ), or “partners of fire". This word was later adapted to generally mean "partners" ( 同伴 ) and was developed to be written as "伙伴” (fo2 bun6). Now, it refers to people who collaborate as part of the same organisation or activity, sharing the same practices and experiences.
Starting from 15th August 2019, Tsung Tsin Christian Academy and 1a space have joined to launch a one-year programme "Arts-in-School Partnership Scheme" initiated by the Hong Kong Arts Development Council. 1a space commissioned two artists, Kevin Ling and Debe Sham, to collaborate and explore how art knowledge can intervene secondary school students and the community through different workshops. “Hiddenfromview” – Arts-in-School Partnership Scheme Exhibition will anchor on the concept of outlining and recording space, and will allow glimpses into the interaction and transformation which the participating artists and students have undergone in the past year.
Exhibition period: 23thOctober - 18th November 2020
Time: Tuesdays to Sundays 11 am – 7 pm (closed on Mondays)
Venue: 122 To Kwa Wan Road, Kowloon, Hong Kong
About the Participating Artists
Debe Sham (born in Hong Kong) is a sculptor, researcher and educator. She received her B.A. and M.V.A. at The Academy of Visual Arts, Hong Kong Baptist University. She has been studied at M. A. Program in Philosophy of the Chinese University of Hong Kong. She is currently a Doctor of Philosophy (PhD) degrees student. Sham has joined The AVA, HKBU and The Fine Art Department, CUHK as a part-time lecturer since 2016 and 2018 respectively. Before joining the Curatorial Panel of 1a space, she was a visiting artist and research fellow at Lingnan University and Yale University. Her research interest covers a wide range of topics such as interactivity as a means of generating dialogue between art and its audience; the ambiguity of interpersonal communication in different social situations; and the history and culture of toys, games and playgrounds. Sham's site-specific sculptures and installations have grown out of the artistic exploration of the role of public art.
Ling Chung-wan Kevin
Ling Chung-wan Kevin (b. Hong Kong 1994) graduated from the Academy of Visual Arts, Hong Kong Baptist University in 2017, he was awarded the Tuna Prize at the AVA BA Graduation Exhibition 2017, shortlisted Hong Kong Human Right Prize 2018. Through community-based research and material exploration to create the simplest resonance. Alternate perspective towards urban elements can be found in Ling's work. His works concern about the relationship and connection in the community and a sense of curiosity.
Wong Yuk Yin
Chan Yuen San
On Ka Yam
Mo Pak Yin
Sze Yi Hin Crosley
Mok Siu Ling Yuki
Wong Tsz Lam
Chan Lok Yan
Loong Hin Cheuk
7/11/2020 - 22/11/2020
1a space proudly presents Post-Digital Materiality, a joint exhibition by Do One Im, Keith Lam, O2 LAB, Otto Li, Seok-Jun Ha, Show Kawabata and Takuto Usami.
Throughout history, artists have explored different technologies that have provided them with new tools for expression. Whereas early computer-generated and digital art in the mid-late twentieth century focused on ‘making digital things real’ and ‘making real things digital’, artworks in the post-digital era appear to blur the conventional divide between digital/analogue, virtual/real, and human-made/machine-made.
Amongst the diverse kinds of digital technologies, digital fabrication methods, such as 3D printing, CNC (Computer Numerically Controlled) machining, and 3D scanning, offer opportunities for artists to conceive of physical objects that could not be made by traditional means. This has resulted in the emergence of new aesthetics and raised the issue of how the digital becomes translated into the physical in a manner that goes beyond mere replication.
Post-Digital Materiality features the works of four individual artists and two artist teams that explore new aesthetic possibilities and concepts afforded by digital fabrication technologies in the post-digital era. The way in which these artists have used technologies in the presented works varies widely. However, all have in common the use of standard or improvised digital fabrication methods to turn ideas and stories into physical entities: the visualization of the unimaginable which would be impossible to construct without the new technologies, the re-interpretation of the old media through new media, the physical mapping of data, and the re-interpretation of relationship between human labour and technologies. Regardless of their versatile approaches, the artists provide socio-cultural commentaries on the use of technology and ask the viewer to reflect upon its impacts on our society at various levels.
7th - 22nd November 2020
Time: Tuesday to Sunday 11 am – 7 pm (closed on Monday)
Venue: 1a space, Unit 14, Cattle Depot Artist Village, 63 Ma Tau Kok Road, To Kwa Wan, Kowloon, Hong Kong
Enquiry: 25290087/ email@example.com
6th November 2020 (Friday) 6:30pm
14th November 2020 (Saturday) 3-5pm
Curator-led Guided tour
21st November 2020 (Saturday) 3-4pm
About Curator and Participating Artists
Min Jeong Song
Min Jeong Song is an assistant professor in the Department of Cultural and Creative Arts at the Education University of Hong Kong. Her current research interests include the convergence of craft and digital technology in art and design, STEAM education, and maker culture.
Do One Im
Do One Im is a sculptor and media artist based in Seoul, Korea. He was an artist in residence in Space Can Beijing in 2014, and has participated in numerous group and solo shows, including the 2017 Seoul City Architecture Biennale. Im holds an MFA degree from Seoul National University.
Keith Lam is a new media artist based in Hong Kong. He is a co-founder of an art team from Hong Kong and Taiwan, Dimension Plus, and he is a founder of composite space, Openground. Lam has won awards at PRIX Ars Electronica, Japan Media Art Festival, and the Young Artist Award. He has taught at the City University of Hong Kong, and he consults and guest-lectures at various institutes.
Founded in 2018, O2 LAB is a collaborative project between a Taiwanese engineer and educator, Hank Ou, and a Japanese artist and designer Yuka Otani. Together they explore new perspectives on combining art and digital technology. O2 LAB’s recent exhibitions include Maker Faire Tokyo, Synthetic Media Art, and Nakanojo Biennale.
Tin Lun, Otto Li graduated from the Department of Fine Arts (BA and MFA) at the Chinese University of Hong Kong. As an artist, he has worked with sculpture, virtual modeling, digital images and interactive installation. He owes his interest in exploring connections between virtuality and reality to his years of working as a concept artist in a CG animation company.
After majoring in communication design at the Parsons School of Design in the United States and working as a member of the Strategic Marketing Team at Samsung Electronics Co. Ltd., Seok-Jun Ha obtained an MFA degree from the Korea National University of Arts as a media art major. He received the grand prize in the ‘New Hero’ competition organized by the monthly Public Art Magazine in 2015 and he showed new works at the Cheongju Craft Biennale 2017, and the Seoul Media City Biennale 2018 in Korea.
Show Kawabata and Takuto Usami
Show Kawabata and Takuto Usami are a duo of artists based in Tokyo, Japan. The ongoing focus of their work is that which is removed from and by people. In recent years, their works have been shown across the world at festivals and in galleries. The artists have received the Aesthetica Art Prize, UK, and the YouFab Global Creative Awards, Japan.
Hong Kong Arts Development Council
The Education University of Hong Kong
Department of Cultural and Creative Arts