Hiddenfromview
23/10/2020 - 18/11/2020
The etymological origin for the Chinese word “fo2 bun6” (伙伴), or “partner”, traces back to the ancient military system. While “fo2” ( 火 ) refers to a unit of ten militants, it also doubles to mean “fire”. Indeed, the military was organised by the fire – the leader of a unit, “fo2 zoeng2” ( 火長 , literally meaning “ chief of the fire”), was in charge of cooking all meals which the team would share together. Therefore, those within one “fo2” were called “fo2 bun6” ( 火伴 ), or “partners of fire". This word was later adapted to generally mean "partners" ( 同伴 ) and was developed to be written as "伙伴” (fo2 bun6). Now, it refers to people who collaborate as part of the same organisation or activity, sharing the same practices and experiences.
Starting from 15th August 2019, Tsung Tsin Christian Academy and 1a space have joined to launch a one-year programme "Arts-in-School Partnership Scheme" initiated by the Hong Kong Arts Development Council. 1a space commissioned two artists, Kevin Ling and Debe Sham, to collaborate and explore how art knowledge can intervene secondary school students and the community through different workshops. “Hiddenfromview” – Arts-in-School Partnership Scheme Exhibition will anchor on the concept of outlining and recording space, and will allow glimpses into the interaction and transformation which the participating artists and students have undergone in the past year.
Hiddenfromview
Exhibition period: 23thOctober - 18th November 2020
Time: Tuesdays to Sundays 11 am – 7 pm (closed on Mondays)
Venue: 122 To Kwa Wan Road, Kowloon, Hong Kong
About the Participating Artists
Debe Sham
Debe Sham (born in Hong Kong) is a sculptor, researcher and educator. She received her B.A. and M.V.A. at The Academy of Visual Arts, Hong Kong Baptist University. She has been studied at M. A. Program in Philosophy of the Chinese University of Hong Kong. She is currently a Doctor of Philosophy (PhD) degrees student. Sham has joined The AVA, HKBU and The Fine Art Department, CUHK as a part-time lecturer since 2016 and 2018 respectively. Before joining the Curatorial Panel of 1a space, she was a visiting artist and research fellow at Lingnan University and Yale University. Her research interest covers a wide range of topics such as interactivity as a means of generating dialogue between art and its audience; the ambiguity of interpersonal communication in different social situations; and the history and culture of toys, games and playgrounds. Sham's site-specific sculptures and installations have grown out of the artistic exploration of the role of public art.
Ling Chung-wan Kevin
Ling Chung-wan Kevin (b. Hong Kong 1994) graduated from the Academy of Visual Arts, Hong Kong Baptist University in 2017, he was awarded the Tuna Prize at the AVA BA Graduation Exhibition 2017, shortlisted Hong Kong Human Right Prize 2018. Through community-based research and material exploration to create the simplest resonance. Alternate perspective towards urban elements can be found in Ling's work. His works concern about the relationship and connection in the community and a sense of curiosity.
Participating Students
Wong Yuk Yin
Chan Yuen San
On Ka Yam
Mo Pak Yin
Sze Yi Hin Crosley
Mok Siu Ling Yuki
Wong Tsz Lam
Chan Lok Yan
Loong Hin Cheuk
Hiddenfromview
23/10/2020 - 18/11/2020
The etymological origin for the Chinese word “fo2 bun6” (伙伴), or “partner”, traces back to the ancient military system. While “fo2” ( 火 ) refers to a unit of ten militants, it also doubles to mean “fire”. Indeed, the military was organised by the fire – the leader of a unit, “fo2 zoeng2” ( 火長 , literally meaning “ chief of the fire”), was in charge of cooking all meals which the team would share together. Therefore, those within one “fo2” were called “fo2 bun6” ( 火伴 ), or “partners of fire". This word was later adapted to generally mean "partners" ( 同伴 ) and was developed to be written as "伙伴” (fo2 bun6). Now, it refers to people who collaborate as part of the same organisation or activity, sharing the same practices and experiences.
Starting from 15th August 2019, Tsung Tsin Christian Academy and 1a space have joined to launch a one-year programme "Arts-in-School Partnership Scheme" initiated by the Hong Kong Arts Development Council. 1a space commissioned two artists, Kevin Ling and Debe Sham, to collaborate and explore how art knowledge can intervene secondary school students and the community through different workshops. “Hiddenfromview” – Arts-in-School Partnership Scheme Exhibition will anchor on the concept of outlining and recording space, and will allow glimpses into the interaction and transformation which the participating artists and students have undergone in the past year.
Hiddenfromview
Exhibition period: 23thOctober - 18th November 2020
Time: Tuesdays to Sundays 11 am – 7 pm (closed on Mondays)
Venue: 122 To Kwa Wan Road, Kowloon, Hong Kong
About the Participating Artists
Debe Sham
Debe Sham (born in Hong Kong) is a sculptor, researcher and educator. She received her B.A. and M.V.A. at The Academy of Visual Arts, Hong Kong Baptist University. She has been studied at M. A. Program in Philosophy of the Chinese University of Hong Kong. She is currently a Doctor of Philosophy (PhD) degrees student. Sham has joined The AVA, HKBU and The Fine Art Department, CUHK as a part-time lecturer since 2016 and 2018 respectively. Before joining the Curatorial Panel of 1a space, she was a visiting artist and research fellow at Lingnan University and Yale University. Her research interest covers a wide range of topics such as interactivity as a means of generating dialogue between art and its audience; the ambiguity of interpersonal communication in different social situations; and the history and culture of toys, games and playgrounds. Sham's site-specific sculptures and installations have grown out of the artistic exploration of the role of public art.
Ling Chung-wan Kevin
Ling Chung-wan Kevin (b. Hong Kong 1994) graduated from the Academy of Visual Arts, Hong Kong Baptist University in 2017, he was awarded the Tuna Prize at the AVA BA Graduation Exhibition 2017, shortlisted Hong Kong Human Right Prize 2018. Through community-based research and material exploration to create the simplest resonance. Alternate perspective towards urban elements can be found in Ling's work. His works concern about the relationship and connection in the community and a sense of curiosity.
Participating Students
Wong Yuk Yin
Chan Yuen San
On Ka Yam
Mo Pak Yin
Sze Yi Hin Crosley
Mok Siu Ling Yuki
Wong Tsz Lam
Chan Lok Yan
Loong Hin Cheuk
正 | 在 | 空間
23/10/2020 -18/11/2020
古代兵制十人為一火，火長一人管炊事，共灶飲食，故稱同火者為「火伴」，引申為「同伴」之意，後多寫作「伙伴」。現在泛指共同參加某種組織、活動的人，一起合作，一起實踐，一起經歷。
於二零一九年八月十五日起，基督教崇真中學與1a空間開展由香港藝術發展局主辦，為期一年多的《學校與藝團伙伴計劃》。1a空間邀請兩位藝術工作者 - 凌中雲和岑愷怡合作，透過不同的研習工作坊，探討藝術知識如何介入中學生，以至社區眾群。《正 | 在 | 空間》- 學校與藝團伙伴計劃展覽 ，以勾勒和記錄空間為軸，分享藝術工作者和中學生們，過去一同的互動和轉變。
正 | 在 | 空間
展覽：2020年10月23日 - 11月18日
展覽開放時間：逢星期二至日上午 11 時至下午 7 時正 (逢星期一休館)
地點：香港九龍土瓜灣道 122 號地下
藝術家簡歷
岑愷怡
岑愷怡先後於香港浸會大學，取得視覺藝術學士學位及碩士學位，曾於香港中文大學哲學系兼讀文學碩士，現於香港讀博士課程。2015年任嶺南大學視覺研究系駐校藝術家。2016年香港浸會大學視覺藝術院兼任講師。2017年獲美國耶魯大學和香港駐紐約經貿辦事處頒發雅禮藝術獎助金。2018年加入香港中文大學藝術系兼任講師。2019年加入1a 空間策展小組。岑氏以不同媒介創作，其中以雕塑、玻璃、裝置和公共藝術為主。她近年的創作以探討「觀者與作品之間的互動關係」、「玩具、遊戲與遊樂場的歷史和文化」及「人與人之間如何達致溝通和連結」為重心。
凌中雲
凌中雲1994年生於香港，在2017年於香港浸會大學視覺藝術文學士畢業，並獲得香港浸會大學視覺藝術院舊生會頒予吞拿魚獎，2018年入圍香港人權藝術獎。透過社區研究及物質上的探索創造最簡單的共鳴。凌的作品涉及社區關係、不同物質的聯繫和好奇感，觀眾從中可以發現他對城市元素的另類觀點。現為香港兆基創意書院設計與科技科教師。
參展學生
王鈺然
陳炫燊
安家蔭
巫柏延
施易騫
莫小玲
黃祉霖
陳樂仁
龍顯卓
14 June – 30 June 2019
rest things-a solo exhibition by Tom O’Dea
14 June – 30 June 2019
rest things-a solo exhibition by Tom O’Dea
rest things-a solo exhibition by Tom O’Dea
rest things-a solo exhibition by Tom O’Dea
rest things-a solo exhibition by Tom O’Dea
 等待景至 |  Bonsai方 梓 亮 2019 Oil on PVC board 16 x 18 cm |
|---|---|
 Storage of a Landscape香 建 峰 2018 Acrylic, charcoal and graphite on linen 183 x 122 cm |  Sand方 梓 亮 2018 Oil on wood panel 90 x 183 cm |
 Asleep XVI簡 喬 倩 2019 Pastel on wood panel 40 x 18.8 cm |  Asleep XVII簡 喬 倩 2018 Oil on wood panel 40 x 40 cm |
 Green Tent III簡 喬 倩 2019 Pastel on wood panel 40 x 18.8 cm |  Green Tent II簡 喬 倩 2018 Pastel on wood panel 40 x 60 cm |
 We’re Two曾 翠 薇 2019 Acrylic on canvas 30 x 61 cm |  Plane #8馬琼珠 2018 Charcoal powder, acrylic, mineral pigment 30 x 30 x 2.5 cm |
 Plane #9馬琼珠 2018 Charcoal powder, acrylic, mineral pigment 30 x 30 x 2.5 cm |  Plane #10馬琼珠 2018 Charcoal powder, acrylic, mineral pigment 30 x 30 x 2.5 cm |
 Doom and Gloom曾 翠 薇 2018 Acrylic on canvas 119.5 x 199.5 cm |  Views of the Sea江 俊 雅 2018 Acrylic, coloured pencils and graphite on watercolour paper 19.5 x 28 cm |
 Views of the Sky江 俊 雅 2018 Acrylic, coloured pencils and graphite on watercolour paper 19.5 x 28 cm |  Grassland II江 俊 雅 2019 Acrylic on watercolour paper 18.8 x 28.4 cm |
 Dwelling江 俊 雅 2018 Acrylic on watercolour paper 25.5 x 32 cm |  Tunnel江 俊 雅 2018 Acrylic on watercolour paper 33.4 x 25 cm |
 Take me Home江 俊 雅 2018 Coloured pencil on watercolour paper 19 x 28 cm |  By the Sea江 俊 雅 2018 Acrylic on watercolour paper 25.3 x 33.4 cm |
 Basketball Court江 俊 雅 2016 Watercolour and graphite on watercolour paper 27.8 x 19 cm |  Bird江 俊 雅 2018 Acrylic on watercolour paper 32 x 24 cm |
 Cast its Shadow陳 茜 珩 2018 Oil on canvas 76.2 x 101.6 cm |  Where there are Flowers, Grass and O陳 茜 珩 2018 Oil on canvas 76.2 x 101.6 cm |
 Everything in the Garden is Rosy陳 茜 珩 2018 Oil on canvas 76.2 x 101.6 cm |  My Sincere Sympathy陳 茜 珩 2019 Oil on canvas 76.2 x 101.6 cm |
 I Don’t Know if We’re in a Garden陳 茜 珩 2018 Oil on canvas 76.2 x 101.6 cm |  area4 |
 area3 |  area5 |
 area2 |
等待景至
Jan 12, 2019 - Feb 12, 2019
@1a空間
1a空間榮譽呈獻《等待景至》一個畫展，展覽將展出9位香港藝術家的繪畫作品。
如果你嘗試過反轉一幅畫（那些用帆布裱在木框的畫），你會發現那個框的結構很像一扇窗。看畫時，當然你看到的是畫的正面，但其實你同時已代入畫家觀看的角度，或是，你在觀看「畫家在觀看」。
畫家在哪裡？在工作室，在街上行走，在世界的某一個角落。可以肯定的是，當畫作正式發表被觀看的時候，畫家已消失於視線外，排除於畫的邊界之外、框架以外的別處。
佛洛伊德說過，畫家的快感是躲在老遠而靜靜地看觀眾站在自己的畫面前看自己的畫。如是設想，畫家和觀眾的眼睛，永不相遇。他們獨自觀看風景，又一起等待風景，等待窗外風景的變與不變。
這次展覽，Ivy Ma 身兼策展人和參展藝術家，連同曾翠薇、香建峰、陳閃，以及五位新進，包括方梓亮、江俊雅、劉彥揚、簡喬倩和陳茜珩，展出新作。
另外，Ivy亦為這次展覽寫了一篇備忘，題為《策展前中後的九項線索》，希望為觀眾在觀看畫家的作品以外，提供一點閱讀和想像的參考。
策展人簡歷
馬琼珠
馬琼珠從事繪畫、攝影及裝置藝術。在香港和英國接受教育，曾在香港舉辦五個個展，亦參與過中、港、台、巴基斯坦和澳洲等地的聯展。2008 年，取得亞洲文化協會利希慎基金獎助金。2012年，榮獲香港當代藝術獎青年藝術家獎。
參展藝術家
曾翠薇
生於1972，分別於1996年與2004年在香港中文大學藝術系獲取學士及碩士學位。於2015獲選參加法國巴黎CitéInternationale des Arts三個月駐留計劃。近期的展覽包括：“有些山有些景”（嘉圖畫廊，香港）及[Purple]: Women of Mankind (One East Asia，新加坡)等。作品為香港藝術館、藝穗會、夏利豪基金會、唯港薈、登臺及私人收藏。
香建峰
澳洲皇家墨爾本理工大學文學士（純藝術）及藝術碩士學位（課程與香港藝術學院
合辦）。現為香港藝術學院講師，曾參與多個本地及海外展覽，繪畫作品為香港藝術館、港鐵及私人收藏。
陳閃
1987年生於香港，於香港藝術學院主修繪畫畢業。自2007年起於火炭設置工作室，2009年到北京作駐場藝術家，2011年入選傑出亞洲藝術獎，2013年被《透視雜誌》選為全球40位40歲以下的創作驕子，2014年獲邀於香港藝術中心賽馬會展廊創作公共藝術裝置作品，並獲選為民政事務局主辦的「藝聚政府大樓2013-14」藝術家，為伊利沙伯體育館設置公共藝術作品。作品曾於香港、北京、上海、台北、新加坡、東京、泰國、墨爾本等地方展出，並獲藝術推廣辦事處、香港及海外私人收藏。
陳茜珩
生於1995年，居住並工作在香港。她擁有香港藝術學院的藝術高級文憑。在2018年參與了出爐2018 藝術畢業生聯展並畢業於墨爾本皇家理工大學的純粹藝術文學士(主修繪畫) 。
劉彥揚
香港出生。2017年畢業於澳洲皇家墨爾本理工大學藝術系（由香港藝術學院合辦），以油畫為創作媒介。劉氏以道德經中「萬物負陰而抱陽，沖氣以為和」為概念，借畫香港風景畫，在失衡的城市生活，追求平衡的自身狀態。因此劉氏的畫內包含了自然元素，同時亦有少量人為建築物在其中營造一個平衡的狀態。
方梓亮
於2015 獲澳洲皇家墨爾本理工大學文學士( 純藝術)，主修繪畫。方梓亮創作靈感來自他對回憶和人性的理解。作品會利用執拾回來的舊木板以油彩創作，畫面現在多以線性筆觸為視覺元素。
簡喬倩
簡氏沉迷於精神分析的研究，以剖析自身的精神狀態，窺探與回溯各種因果關係。作品以自身經驗與人的精神狀態為主，關注和試圖呈現各種與疾病，異化或被遺忘有關的不安全狀況。創作包括繪畫、素描和裝置。
江俊雅
於2017年獲澳洲皇家墨爾本理工大學及香港藝術學院合辦之文學士( 純藝術)，主修繪畫 。她的作品描繪都市中的日常景觀，並透過繪畫紙本，以超現實的手法解構及重組自身與環境的空間和記憶。
《等待景至》一個畫展
開幕酒會:2019 年1月12日晚上6時
展期 : 2019 年1月12日- 2019 年2月12日
開放時間 : 11:00 - 19:00 逢星期二至日上午11時至晚上7時正 (逢星期一及2月5日至7日休館)
 九龍城藝術節@西九 |  Large-scale Eco-friendly Installation an |
|---|---|
 大型環保裝置及開放舞台 |  大型環保裝置及開放舞台 |
 大型環保裝置及開放舞台 |  大型環保裝置及開放舞台 |
 大型環保裝置及開放舞台 |  大型環保裝置及開放舞台 |
 大型環保裝置及開放舞台 |  藝術市集 |
 藝術市集 |  藝術市集 |
 親子互動工作坊 |  親子互動工作坊 |
 親子互動工作坊 |  親子互動工作坊 |
 藝術書小展 |  藝術書小展 |
 公共藝術展覽 |  公共藝術展覽 |
 公共藝術展覽 |  公共藝術展覽 |
 公共藝術展覽 |  九龍城的過去與未來－相片展 |
 九龍城的過去與未來－相片展 |  九龍城的過去與未來－相片展 |
 九龍城的過去與未來－相片展 |  戶外瑜伽 |
 戶外瑜伽 |
